During a significant portion of the 1990′s, B96 offered a dance music-heavy format focused on currents — making it one of the very few major market, full signal commercial stations in the U.S. to find success with that formula during that decade. This montage, recorded at the peak of that era, is a great example of why dance radio fanatics held the station in such high regard. The aircheck was recorded in the midst of the NBA’s Chicago Bulls 1996 playoff run, preceded by a record-setting 72 win regular season. It includes several references to the team and a variation of “The Roof is On Fire” by To Kool Chris, titled “The Bulls Are On Fire”. Special thanks to Steven Ratz, formerly of Dance Music Authority (DMA) Magazine, for contributing this aircheck.
During a significant portion of the 1990′s, B96 offered a dance music-heavy format focused on currents — making it one of the very few major market, full signal commercial stations in the U.S. to find success with that formula during that decade. This aircheck, recorded at the peak of that era (and 18 years ago tonight), is a great example of why dance radio fanatics held the station in such high regard. You’ll hear the end of the “Top 96 of 1995” year-end countdown, followed by an outstanding montage counting down the final 3 minutes of 1995, leading into 1996. The hosts are longtime station personalities George McFly and Frankie “Hollywood” Rodriguez. And at the end of this aircheck are snippets of programming that aired prior to the aforementioned countdow...
“Club Jam” was a Friday night 8-hour dance music program that made its debut on Loyola University’s WLUW (Energy 88.7) in 1993. Please visit the archived JamTraxx Media Website for more information about the history of this program.
For more than 40 years, KNHC – owned by Seattle Public Schools and operated out of Nathan Hale High School – has been one of the best examples of non-commercial, student-run radio done right. For the majority of that time, it has focused on dance music, making it the longest-running (and one of the very few) stations of that format in the United States. This is a sample of the station from September 1997, when it was transitioning from “C89” to “C89.5”.
In the Spring of 1998, 107.3 WZZP teased Southern New Jersey with a Rhythmic CHR format. With no promotion or publicity, this brand new signal garnered a 2 share (12+) in its first ratings book. Seeing the hole for something between Urban AC WTTH and Adult leaning CHR WAYV, Margate Communications rolled the dice with hopes of being different. Pulling the plug on recently acquired satellite Modern Rocker WDOX, Margate moved the southern half of the Urban AC “Touch” simulcast from 105.5 to WDOX’s 93.1 slot. Rimshotting greater Atlantic City area from Cape May Court House, WBNJ (which quickly became WZBZ) debuted with a Dance CHR format designed to target WAYV, while still protecting WTTH. Within a year, WZBZ moved to 99.3 in Pleasantville, while retaining the 105.5 simulcast as WGBZ, giving ...
“Today’s Hottest Music is on Power 92”. This aircheck, recorded on the night before Thanksgiving 1995, represents the sound of KKFR (92.3) Glendale/Phoenix that led the station to an all-time high 7.0 Arbitron share (12+). At this time, Power 92 offered superb all-around music, air talent, and production values. Hosted by Roxanne Steele (who later spent over a decade at Chicago’s B96).
Chicago’s Hot 94-7 FM represented the high-energy, but short-lived aftermath of “Hell 94.7”, and the final (as of this writing) attempt of this frequency to compete with heritage Rhythmic CHR WBBM-FM (B96). Please visit this page (scroll about halfway down) for more details.
Quoting & paraphrasing from this issue of the “Main Street Tattler” newsletter“, dated 1/17/03… “As Big City Radio continues its national liquidation of all its stations, 103.1 WYXX/Morris is currently Big City’s last remaining signal. WYXX, which reaches the far south suburbs of Chicago and mostly rural areas, has sequed to a humorous dance hits format called “Party 103.1”, very similar to Big City’s former “Energy 92-7&5” which went to SBS in an LMA arrangement two weeks ago. Energy PD Chris Shebel (still working for Big City and WYXX until it is officially sold) is the station voice and programmer, and has created laughable liners with phrases like “No commercials ‘cause we’re for sale… Party 103.1” and “There’s nothing wrong with your cows. Cows mi...
For a good portion of its history, the radio format “Alternative” has been synonymous with “Modern Rock”. However, there was a time when the format encompassed other styles of music that were also considered an “alternative” to the mainstream – as demonstrated on this aircheck. It’s a brief montage of the hosting and production elements surrounding “The Beat Factory”, a progressive dance music show heard Saturday nights on the original incarnation of 99X in Atlanta.
“Q102, The Beat of Philadelphia” (102.1 WIOQ) on a Wednesday night during its Dance-leaning CHR days in the mid to late 90’s. The station was a favorite among U.S. dance radio enthusiasts (such as yours truly) at this time. As a side note, while I loved the format, I wasn’t a fan of the station’s production values at this time. It just seems like they were trying too hard to make the station sound “hip”, for lack of a better term. Just the humble opinion of your Webmaster!
During a significant portion of the 1990′s, B96 offered a dance music-heavy format focused on currents — making it one of the very few major market, full signal commercial stations in the U.S. to find success with that formula during that decade. This aircheck, recorded at the peak of that era, is a great example of why dance radio fanatics held the station in such high regard.