96.3

WBBM-FM (B96) – Chicago – 8/13/97 – Terry Foxx

Musically, 1997 was a year of transition for B96. In comparison to previous years, the station began phasing out much of the Dance music that had defined its sound over the prior decade or so. Yet, at this time, B96 still positioned itself as “Chicago’s Dance Beat”, fueling the launch of a suburban competitor earlier in the summer.  

WBBM-FM (B96) – Chicago – 3/16/97 – Julian Perez, Tim Schommer, Candi

During the 1990’s, Chicago’s B96 was one of the most unique Rhythmic CHRs in the U.S. This is a montage of the broad-based, personality-heavy “Street Flava” program.  

WHHH (Hoosier 96) – Indianapolis – 10/29/91 – RJ Miles

After having been granted the call letters WHHH a couple of months earlier, 96.3 FM in Indianapolis hit the air on October 28, 1991 — making it the first new FM signal in the market in over 25 years. This aircheck was seemingly recorded overnight following the station’s first full day.  A video of the actual sign-on is posted on Youtube (the logo shown above is a screen shot taken from that video.) In these earliest moments, the station referred to itself multiple ways: “Hoosier 96” “Hoosier Hot 96” “Hot Hoosier 96” “Hot Hoosier 96.3” “Hoosier Hot 96 Dot 3” “Hoosier 96, WHHH” “Hoosier 96 Dot 3, WHHH” “96 Dot 3, WHHH” Today, the station calls itself “Hot 96.3” and offers a...

WBBM-FM (B96) – Chicago – 1/27/96 – Coco Cortez

During a significant portion of the 1990′s, B96 offered a dance music-heavy format focused on currents — making it one of the very few major market, full signal commercial stations in the U.S. to find success with that formula during that decade. This aircheck, recorded at the peak of that era, is a great example of why dance radio fanatics held the station in such high regard.

WBBM-FM (B96) – Chicago – 12/31/97 (TOP 96 OF 1997) – Roxanne & Brian Middleton

During a significant portion of the 1990′s, Chicago’s B96 offered a Dance music-heavy format focused on currents — making it one of the very few major market, full signal commercial stations in the U.S. to find success with that formula. However, as reflected on this aircheck, by 1997 the station became more of a broad-based Rhythmic CHR, featuring less Dance hits and more R&B, hip-hop, and pop selections. Even a handful of rock-oriented tunes more common to Modern AC stations were featured on B96’s playlist.

WBBM-FM (B96) – Chicago – 12/24/96 – Brian Middleton

During a significant portion of the 1990’s, B96 offered a dance music-heavy format focused on currents — making it one of the very few major market, full signal commercial stations in the U.S. to find success with that formula during that decade. This aircheck was recorded on Christmas Eve 1996 and features both regular and (midday) mixshow programming, all under the label of “The At Work Dance Party”.

WBBM-FM (B96) – Chicago – Nov ’96 – DJ Markski

During a significant portion of the 1990′s, B96 offered a dance music-heavy format focused on currents — making it one of the very few major market, full signal commercial stations in the U.S. to find success with that formula during that decade. This aircheck, recorded in the midst of that era (on a couple of Friday/Saturday nights in November 1996),is a great example of why dance radio fanatics held the station in such high regard. It focuses on the Eurodance genre (arguably at its peak) via mixes from DJ Markski. Please note that this montage is more music-heavy than what you’ll normally find on the site; this was done intentionally to highlight the depth of the musical selections, and also because – as is the norm with mix shows – there was minimal non-music material.

WHYT (Power 96) – Detroit – 7/21/89 – Electrifying Fogel

This is a sample of Detroit’s Power 96 when it was still a pure Mainstream CHR, and a couple of years before (per Wikipedia) Modern Rock 89X entered in the market and took away a large portion of the teen & young adult audience. IMHO – and I say this as someone who wasn’t living in Detroit at the time and (outside of Wikipedia) is unfamiliar with the competitive landscape there at the time – Power 96’s approach at this time strikes me as being surprisingly conservative considering that it served a large, ethnically diverse market. Many thanks to Rich Marino for contributing this aircheck.

WBBM-FM (B96) – Chicago – 12/27/97 – DJ Markski

During a significant portion of the 1990′s, Chicago’s B96 offered a Dance music-heavy format focused on currents — making it one of the very few major market, full signal commercial stations in the U.S. to find success with that formula. By the end of the decade, the station began taking a more conventional approach to its regular format, focusing on hip-hop and R&B hits. However, B96 still aired significant amounts of Dance during its mixshows — such as this segment from a Saturday night near the end of 1997 featuring Eurodance mixed by DJ Markski. Please note that this montage is more music-heavy than what you’ll normally find on the site; this was done intentionally to highlight the depth of the musical selections, and also because – as is the norm with mix shows – there was m...

KEDJ (106.3/96.3 the Edge) – 11/1/94 – Willobee & Jayn Sayd

“Morning Breath Theater” morning show on Modern Rock 106.3 the Edge (KEDJ Phoenix) with Willobee and Jayn Sayd – recorded November 1, 1994 (21 years ago yesterday). The station was broadcasting on 106.3 and 96.3 at this time. Per info from Eric Stein: “96.3 was a translator atop South Mountain, call letters K242AG. KEDJ used this to improve East Valley coverage before the KHOT-FM simulcast began in August 1995. The translator later was used by another signal-troubled local station or maybe a religious group, and moved to 95.9 for a while as K240CV after KSWG moved to 96.3.”

WBBM-FM (B96) – Chicago – 6/14/98 – Tim Spinnin’ Schommer

During a significant portion of the 1990′s, Chicago’s B96 offered a Dance music-heavy format focused on currents — making it one of the very few major market, full signal commercial stations in the U.S. to find success with that formula. By the end of the decade, the station began taking a more conventional approach to its regular format, focusing on hip-hop and R&B hits. However, B96 still aired significant amounts of Dance during its mixshows. This is a sample of the rather unique Sunday evening “Street Flava” program, which featured regular programming interspersed with Dance mixes from multiple genres, hosted by guest DJs.

WBBM-FM (B96) – Chicago – 1/7/96 – Julian Perez, Tim Schommer, Candi

During the 1990’s, Chicago’s B96 was one of the most unique Rhythmic CHRs in the U.S. Recorded 19 years ago today, his is a montage of the broad-based, personality-heavy “Street Flava” program.

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