This is a sample of Friday night “Club 107.5” mixshow programming on Chicago’s heritage Urban Contemporary station, WGCI. It was hosted by Armando Rivera with mixes provided by Scott Smokin’ Silz – both of whom worked at the legendary WBMX (102.7) during the 1980’s. At this time, the station (or at least the Club 107.5 mixshow) employed an outstanding high-energy voice talent in Pat Garrett. More information about the history of WBMX (specifically, the “Hot Mix 5” of which Scott Smokin’ Silz was a member) can be found HERE.
Musically, 1997 was a year of transition for B96. In comparison to previous years, the station began phasing out much of the Dance music that had defined its sound over the prior decade or so. Yet, at this time, B96 still positioned itself as “Chicago’s Dance Beat”, fueling the launch of a suburban competitor earlier in the summer.
In the late 1990’s and early 2000’s, 103.9 FM — which targeted the Phoenix area from rural/suburban signals – held a number of different formats. It began in the Spring of 1996 with a six-month Rhythmic Oldies stunt format named “S-T-E-V-E”. On October 30th of that year, it officially signed on as “The New 103.9, Arizona’s Party Station”, with a hip-hop-oriented Rhythmic CHR format and enjoyed impressive ratings (especially considering the signal limitations). Its target, the more dance/pop/R&B-oriented KKFR “Power 92”, took notice and transformed itself into a pure hip-hop/R&B station within 9 months. A year later, 103.9 FM (whose calls had become KPTY) went in a completely different direction, offering a mix of a...
For over two decades, 99.9 FM in Salisbury/Ocean City, MD has been a Country station known as “Froggy 99.9” with the call letters WWFG. But prior to that, according to Wikipedia, it was a CHR/Hot AC station known as “100 KHI” (that’s the era associated with the logo attached to this post), “Mix 99.9 KHI” (as heard on this aircheck – not mentioned on the Wikipedia article), “99.9 KHI”, and “Power 99.9 KHI”.
During the mid-90’s, KIDR (740 AM) in Phoenix was one of several radio stations across the U.S. affiliated with the childrens’-targetted “Radio AAHS” network. Ten of these stations were owned by Radio AAHS. By January 1998, with Radio Disney having launched its own competing network, Radio AAHS ceased operations. They put the ten stations up for sale (KIDR had joined this group not long before the sale was announced). Until a buyer was found, the affiliates (both the AAHS-owned and non-owned stations) aired a mix of random music and paid programming for 12 hours (4am-4pm PT), and all-dance “Beat Radio” for the remaining 12 hours (4pm-4am PT). In May of that year, KIDR program director Matt Miller elected to begin airing an hour of locally originated prog...
WSNX was one of the best CHRs of the mid/late 90’s, offering an upbeat music mix and outstanding jingles & sweepers, voiced by the late and great Brian James. This was very impressive for a medium-sized market.
By the late 80’s, it seemed that many CHRs in the United States began leaning towards either hairband or rhythmic music. Power 102 was an exception – as this aircheck suggests, the station was more of an AC/Classic Rock/CHR hybrid. According to Wikipedia, along with Robyn Watts (who contributed this aircheck), the station held the KPXR call letters from 1986 to 1994. However, the station did not adopt a CHR format until sometime in 1988. The station is now KDBZ “Oldies 102.1”.
“So many hits, so little time…Power 108!” Power 108 was a fun, uptempo small market station, offering a Mainstream CHR format with a few early 90’s dance/pop classics thrown in as well. That’s pretty much all I can say about this station – does anyone else have additional information (i.e. when it debuted, when it changed to a different format, etc?)
According to Wikipedia, 92.9 FM in San Antonio offered a Rhythmic-leaning CHR format for over a decade, starting in 1979. Three days after this recording was made, the station flipped to an Adult Contemporary format branded as “Star 93” with the call letters KSRR. The aircheck includes mysterious sweepers hinting at an upcoming change. They were voiced by Jerry Clifton in a style nearly identical to what was heard six years later on KBZR in the Phoenix area, during that station’s “S.T.E.V.E.” stunt. The on-air personality was also referring to the station as simply as “93 KITY” or “KITY”.
Per Wikipedia – on Saturday nights from 1996 to 2002, 104 KRBE aired “The Beat” – one of the most progressive dance music programs on U.S. radio – live-to-air from The Roxy, which was one of the premier nightclubs in Houston. This is a sample of the program from a couple of consecutive Saturdays in August 1998.
This is a great example of pure small market Midwestern Mainstream CHR from the late 90’s. Voiced by the late and great Brian James.
This is a montage of “101-5 the Zone” on a Saturday night in the middle of a scorching Phoenix summer. One of the station’s slogans was “Arizona’s Alternative”, but the sound was very Modern AC-ish at this time. Heritage 80’s CHR KZZP (104.7) had returned as a Modern AC a year and a half earlier, and was enjoying a ratings resurgence.