This is a montage of WJRZ from a period when it was featuring a mix of Adult CHR and Classic Hits, while sprinkling in an assortment of Christmas songs. The station would move back towards CHR about six months later. Please visit Wikipedia for information on the history of this station. NOTE: Most of this aircheck is also featured as part of the “Jersey Shore Sampler“.
In 1997, Baltimore’s WXYV flipped from Urban “V103” to Mainstream CHR as “102.7 XYV”. However, the station would be marred with inconsistency for the next couple of years. It would constantly change its lean from dance to hip-hop to alternative while searching for a gain in audience. In 1998, the name changed to B102.7 in order to prevent a competitor from bringing back B104 and at the same time connected the two CHR’s in Baltimore’s recent history. A newfound mainstream pop lean came in 1999 as it finally found some stability. In 2001, the station moved down the dial and flipped to Urban as “X105.7”. Left intact in this aircheck is a B102.7 commercial recruiting Account Executives.
This is a sample of Washington, D.C.’s Z104 about 5 months before a format change to Modern AC. Following the aforementioned format change, the station later switched to “More Music 104”, then back to “Z104.1”, before becoming the new home of Classical WGMS in January 2006. Our apologies for the overmodulation and inconsistent pitch of the audio on this aircheck.
“It’s 7 O’Clock on the West Coast at KIIS…K-I-I-S, FM & AM, Los Angeles”. Voiced by the late and great Brian James, that’s one of my all-time favorite legal IDs, and many variations of it are heard on this compilation from the Summer of 1993. At this time, in celebration of Independence Day, KIIS had a very amusing “Red, White and Balls Weekend” promotion that included liners such as “dangle your balls from your rearview mirror” and “just make sure your balls are visible.” At a time when many CHRs struggled to find success with the increasingly polarized nature of the format, KIIS elected to mix in a number of hits from years past – the station’s slogan at the time was “The Best Hits of the 80′s and 90′s.”
**New York City’s 95.5 WPLJ will end its current programming format at 7pm EDT today (Friday 5/31/19), following a sale from Cumulus to Educational Media Foundation. We will be featuring airchecks of this longtime CHR/Hot AC station from the past 30+ years throughout this week.** Per Wikipedia – as a final attempt to find success with the CHR format, WPLJ rebranded as “Mojo Radio” in April 1991, shortly after hiring Scott Shannon as morning show host. Four months later, the station began shifting towards Adult Top 40; by February 1992, it had evolved to Hot AC and began calling itself simply “95-5 PLJ”.
**New York City’s 95.5 WPLJ will end its current programming format on Friday 5/31/19, following a sale from Cumulus to Educational Media Foundation. We will be featuring airchecks of this longtime CHR/Hot AC station from the past 30+ years throughout this week.** Courtesy of the now-defunct mp3airchecks.com, here’s a sample of New York’s WPLJ during as days as “Power 95”, but after the station adopted a lean towards more adult-oriented, pop/rock hits. Interestingly, the station also used “Musicradio” (made famous by WABC-AM) and “The All New PLJ” as supplementary monikers. Visit Wikipedia for more information on the history of this station.
**New York City’s 95.5 WPLJ will end its current programming format on Friday 5/31/19, following a sale from Cumulus to Educational Media Foundation. We will be featuring airchecks of this longtime CHR/Hot AC station from the past 30+ years throughout this week.** Here’s a sample of WPLJ couple of years after it entered the CHR format, and within the first year of calling itself “Power 95”. Visit Wikipedia for more information on the history of this station.
During a significant portion of the 1990′s, B96 offered a dance music-heavy format focused on currents — making it one of the very few major market, full signal commercial stations in the U.S. to find success with that formula during that decade. This montage, recorded at the peak of that era, is a great example of why dance radio fanatics held the station in such high regard. The aircheck was recorded in the midst of the NBA’s Chicago Bulls 1996 playoff run, preceded by a record-setting 72 win regular season. It includes several references to the team and a variation of “The Roof is On Fire” by To Kool Chris, titled “The Bulls Are On Fire”. Special thanks to Steven Ratz, formerly of Dance Music Authority (DMA) Magazine, for contributing this aircheck.
Since October 2006, about 18 months after moving from Flagstaff, AZ to Dewey-Humboldt, AZ (in order to better cover the Phoenix market), 97.5 FM has programmed many variations of uptempo formats targeted at adults. It started with MOViN’ 97.5, which launched as a Rhythmic AC but evolved to a Hot AC/Adult Top 40 format. By the end of 2010, the station rebranded as Hot 97.5 but generally kept the same format. It flirted with a Dance-leaning approach early in the decade before returning to Adult Top 40. This aircheck appears to have been recorded somewhere in the middle of that most recent transition. The station began simulcasting on KEXX (now KZON)/Gilbert in January 2014, and now calls itself “Hot 97.5 & 103.9”. Many thanks to Steven Ratz for contributing this airchec...
Mix 104.1 offered one of the most diverse playlists I’ve ever heard on a CHR station. Reviewing the history of the 104.1 frequency, it seems that this was (not surprisingly) from the days when the station was still independently owned.
107.3 FM in Washington, D.C. has been Hot AC as “Mix 107.3” since 1990. But in the 12 years prior, it was CHR/Top 40 as “Q107”. This sample from October 1988 – recorded during the station’s “Top 10 at 10” countdown – demonstrates the dominance of hairband acts on the pop charts at the time. Thanks to Robyn Watts for contributing this aircheck. Our sister site, Airchexx.com, also features a pair of Q107 samples: Uncle Johnny, 12/26/83 Celeste Clark, 12/26/85