Generally speaking, at least in the U.S., the larger the market, the less interesting (musically) the radio stations become. Fortunately, in the mid to late 90’s, Z100 — a heritage Mainstream CHR in Market #1 — was a wonderful exception to this rule. At this time, the station offered an incredibly diverse music mix, including numerous recurrents and flashbacks.
WBLI was (and may still be) an upbeat, fun-sounding CHR outlet, offering Long Island a locally focused alternative to similarly formatted stations from New York City. This is a sample of the station recorded 17 years ago today.
This is a montage of Chicago’s longtime Rhythmic CHR recorded on a Monday afternoon, in early 2000. It’s hosted by Roxanne (Roxanne Steele), who had been part of the B96 team since either late 1996 or early 1997, after being on the air at Phoenix’s Power 92 (KKFR). She enjoyed a 12-year run at B96 before moving to sister station WCFS (Fresh 105.9) for a brief period and then onto her current home — 96.3 WDVD in Detroit. Despite moving away from its Dance-leaning format in 1997, B96 inexplicably continued to position itself as “Chicago’s Dance Beat”. The legendary Mitch Craig was still the voice of the station at this time.
On multiple occasions from 1991 to 2003, the two 103.1 FM’s in the Los Angeles area (originating from Santa Monica and Newport Beach, respectively) programmed varying flavors of the Dance format under a variety of different names — MARS FM 103.1, Groove Radio, Groove 103.1, and 103.1 KDL. Supposedly, in a (no-longer-accessible) article which appeared on laradio.com, Roy Laughin (then general manager of Mainstream CHR 102.7 KIIS-FM) admitted that (KIIS owner) Jacor bought Groove 103.1 and changed the format so that it KIIS’ ratings would improve, due to the loss of a competitor. The montage heard here (recorded 15 years ago today) certainly seems to validate that story. For approximately five years following the demise of Groove 103.1, KIIS aired a Dance music program on F...
In September 1996, Channel 9-3-3 debuted with a gold-friendly Dance CHR format, as demonstrated in this aircheck from October of that year and this one from November. However, within a few months, the station became much more current-based, replacing much of the classic dance with contemporary R&B and pop.
Recorded 16 years ago this month, this is a brief sample of the long-running syndicated “Open House Party” as heard on WJBQ in Portland, Maine.
Recorded 18 years ago this month, this is a sample of three CHR/CHR-leaning stations serving the state of Maine in early 1997: WKZS, Auburn/Portland — “99.9 Kiss-FM” (also heard on 96.9 FM), 2/8/97 – recorded during the high-energy “Kiss Club Night” mixshow programming. The station sounded much better in this era than it did a couple of years later, when it had rebranded as “Mix 96.9 & 99.9”. (I have not been able to locate a logo for this station.) WJBQ, Portland — “Q 97 Dot 9”, 2/14/97 — Absolutely one of the best small market CHRs I’ve ever heard. J.J. Jeffries was both the voice and (I think) the owner of the station. WMME, Augusta/Brunswick/Bangor — “92 Moose”, 2/8/97. Another s...
Recorded 16 years ago today, this is a sample of WFKS near the end of its 6-year run on 99.9 FM. According to this Wikipedia page, in the year 2000, 99.9 FM moved into the Jacksonville market (with new calls WGNE) while the WFKS calls moved to 97.9 FM (also serving Jacksonville).
From February 1997, this is a sample of a pirate station broadcasting on 95.1 FM, presumably from somewhere in the New York City/Long Island area. It offered a cutting-edge Dance format, presumably as a rebuttal to the more Rhythmic AC-oriented WKTU, which had debuted a year earlier.
Recorded 15 years ago today, this is a sample of the long-running syndicated “Open House Party” as heard on WJBQ in Portland, Maine. It includes an interview with the band Eve 6, following by an acoustic performance of their best-known hit, “Inside Out”.
“The World Famous” WDRE/WLIR was one suburban New York’s greatest treasures until its sale to the predecessors of Univision in 2003. The station at one time was home base for a syndicated Modern Rock format known as “The Underground Network” and was heard in such cities as Albany, Little Rock, and Philadelphia. By 1998, the station had returned to its heritage WLIR call letters and settled in somewhere between Alternative Rock and Modern AC, with the tagline “New Wave…and New Rock”. This montage of WLIR was recorded 15 years ago this week. It features a sample of the station’s “Top 9 at 9” countdown from a Friday evening, and the “Saturday Night Dance Party” (live from a local bar/club) from the night after.
Recorded 15 years ago today, this is a sample of Portland, Maine’s WRED during its days as a Mainstream CHR in the late 90’s. According to Wikipedia, the station eventually moved in a more hip-hop/rhythmic direction and remained that way until adopting a Sports format in August 2008. Apologies for the mediocre sound quality that plagues the first two-thirds of this aircheck; it sounds better starting around the 2:43 mark.