96.3 the Rose was a fun, upbeat station offering a well-rounded playlist and excellent imaging. Per Wikipedia, it debuted with a Mainstream CHR format in January 1993 – a time when the format was disappearing in many markets nationally – and survived until late March 2009, when it became a simulcast of Sports-formatted WEEI in Boston. Many thanks to Scott Fybush of Fybush.com for contributing this aircheck!
WZJM offered a pure Mainstream CHR format through most of 1995, as demonstrated on this montage. Towards the end of the year, the playlist began leaning in a Dance/Rhythmic direction (as heard on THIS compilation of the station from June 1997) – it would remain that way until the station became a victim of the “Jammin Oldies” fad in March 1999. Many thanks to Mark Pfeifer for contributing this aircheck!
In 1997, WZJM was a fun-sounding station, as it offered a Dance & recurrent-friendly, Rhythmic-leaning Mainstream CHR format, making this one of my personal all-time favorite airchecks. Please visit this page on Wikipedia for more information on the history of the station/frequency.
“The New Beat of San Diego” – this aircheck, from October 1996, represents the sound of Channel 9-3-3 in its earliest days. It offered an outstanding music mix, talent, sweepers, and all-around production values. IMHO, this is what a Dance CHR station should sound like, and it’s the best I’ve personally ever heard. However, the masses did not agree – KHTS evolved to a more conventional Rhythmic CHR in early 1997.
In September 1996, Channel 933 debuted with a gold-friendly Dance CHR format, as demonstrated in this aircheck from October of that year and this one from November. However, within a few months, the station became much more current-based, replacing much of the classic dance with contemporary R&B and pop.
This is a sample of Albuquerque’s heritage Rhythmic CHR from the mid-90’s, when it offered a relatively balanced Rhythmic CHR format and a high-energy presentation. The station has survived many competitors over the years. (The logo shown above is not from the era when this aircheck was recorded.) Please note: at some point (perhaps the original recording), the pitch of the audio on this aircheck became too high (hope that’s the right term?) – everything sounds “faster” than it should be. Note the similarities between this station and Chattanooga’s WKXJ “Hot Jammin’ Kicks FM” from 1998. Besides their nearly identical names, both were/are on 97.3 FM and employed the phrase “one half hour total music jam”. There had to ...
Star 105 was another station that seemingly wanted to clone the success achieved by New York’s WKTU, which launched as a Rhythmic AC the year prior and skyrocketed to the top of the ratings in one book. This montage features one of my all time favorite personalities, Terry “Motormouth” Young. KZRQ had an excellent high-energy presentation, similar to WDRQ in Detroit (which was another KTU clone.) I love the legal ID in particular – “KZRQ-FM Santa Fe/Albuquerque…and sometimes beyond.” Infinite thanks to Program Director Dave Dart, who made me this aircheck (and many others), and gave them to me when met me for lunch while he was visiting Phoenix.
This is a sample of one of the best CHR stations I’ve personally ever heard. While not as adventurous musically as it had been five years earlier, WMGI still played multiple gold selections from the late 80’s and early 90’s per hour – highly unusual for any station programming this format.
Recorded 19 years ago this month, this is a sample of Terre Haute’s longtime Mainstream CHR. Compared to its approach from two years prior, the station sounded much more like what one would expect to hear from a small Midwestern market. WMGI maintained this approach three years later.
Following the “worst-to-first” success of New York’s “103.5 The New ‘KTU” in 1996, a number of stations around the U.S. attempted similar formats (essentially Rhythmic AC) in their markets. One was “93-1 The New DRQ” in Detroit, as demonstrated on this aircheck (recorded 19 years ago today). Includes the closing segment of Lisa Lisa’s afternoon drive show, followed by JoJo on the Radio. Features phone interviews in which callers mention the stations that they “made the switch” from, including listeners being placed in the “25-34 Women” and “25-54” categories. This was a fun station to listen to, highlighted by an all-around high-energy presentation. More information can be found on the WDRQ Wikipedia ...
At a time when many CHRs leaned towards R&B/Hip-Hop or Modern Rock, Boss 97 FM offered a Dance-oriented approach – making it seemingly one of the very few stations in the U.S. to do so (offhand, the only others I can think of were WBBM-FM/B96 Chicago and I assume KNHC/C89 Seattle – am I forgetting any?) This aircheck includes an amusing segment titled “Crow For Your Team”, focused on the NFL game taking place that weekend between two longtime rivals: The Philadelphia Eagles and Dallas Cowboys. Two listeners called in and had 15 seconds to explain why their team would emerge victorious. The Cowboys fan was acknowledged as dialing from a noisy “car phone”, and a “Judge Lance Ito” (from OJ Simpson trial fame) picked the winner. This was n...