“Today’s Hottest Music is on Power 92”. This aircheck, recorded on the night before Thanksgiving 1995, represents the sound of KKFR (92.3) Glendale/Phoenix that led the station to an all-time high 7.0 Arbitron share (12+). At this time, Power 92 offered superb all-around music, air talent, and production values. Hosted by Roxanne Steele (who later spent over a decade at Chicago’s B96).
This is a montage of New York’s Hot 97 from its days as a high-energy Dance CHR. The station debuted with the same format as Hot 103.5 five years earlier, moved to 97.1 in 1988, and began evolving into a hip-hop-oriented station in early 1993.
This is a sample of WIOQ during its Dance-leaning CHR days in the mid to late 90’s. The station was a favorite among U.S. dance radio enthusiasts (such as yours truly) at this time. NOTE: The first half of this aircheck can be found HERE.
This is a sample of WIOQ during its Dance-leaning CHR days in the mid to late 90’s. The station was a favorite among U.S. dance radio enthusiasts (such as yours truly) at this time. NOTE: The second half of this aircheck can be found HERE.
“Broadcasting from Chicago to the world…” Cyber Radio 92-7 was a brokered Dance CHR format that aired on weekends from approximately May to September 1997 on the suburban WCBR signal. According to this message board posting, it was the first radio station in the Chicago area to broadcast on the Internet. Cyber Radio debuted around the same time that longtime heritage Rhythmic CHR WBBM 96.3 FM “B96” shifted its focus from Dance music to a more traditional Rhythmic CHR approach, yet continued to position itself as “Chicago’s Dance Beat”. Cyber Radio poked fun at its competitor, featuring liners such as “This is a dance beat…(insert dance song)…this is not (insert R&B song)” and “We’ve Got the Beat”....
On the heels of today’s stunning announcement regarding the sale of KPWR from Emmis to Mereulo Group, we felt it would be appropriate to re-feature an aircheck of this legendary radio station. =============== In early 1986, Emmis Broadcasting flipped 105.9 FM in Los Angeles from KMGG “Magic 106″ (apparently some form of Hot AC) to Rhythmic CHR (then a relatively new format) as “Power 106″. The station became an instant hit, surpassing heritage Mainstream KIIS in all dayparts except Morning Drive, where Rick Dees continued to dominnate. The beginning of this aircheck contains various snippets of KPWR from what appears to be approximately 1989. It is then followed by a special mix featured on the station in 1995, titled “Blowin’ Up 10 Years of Flava.” However, as st...
In the mid to late 90’s, CKEY offered a dance music-heavy Rhythmic CHR format branded as “FM 101 The Planet”. This is a sample of the station during mixshow programming, hosted by Dance music expert Chris Sheppard.
Quoting & paraphrasing from this issue of the “Main Street Tattler” newsletter“, dated 1/17/03… “As Big City Radio continues its national liquidation of all its stations, 103.1 WYXX/Morris is currently Big City’s last remaining signal. WYXX, which reaches the far south suburbs of Chicago and mostly rural areas, has sequed to a humorous dance hits format called “Party 103.1”, very similar to Big City’s former “Energy 92-7&5” which went to SBS in an LMA arrangement two weeks ago. Energy PD Chris Shebel (still working for Big City and WYXX until it is officially sold) is the station voice and programmer, and has created laughable liners with phrases like “No commercials ‘cause we’re for sale… Party 103.1” and “There’s nothing wrong with your cows. Cows mi...
According to Wikipedia, CIDC (licensed to Orangeville, ON) has been programming some form of Rhythmic-oriented CHR since 1995. This is a sample of the station from April 1998, shortly after it had evolved from “Hot 103.5” to “Hits 103.5”. While the addition of R&B and pop tracks accompanied the name change, as heard on this aircheck, the station still offered Dance music programming at this time.
Miami’s Power 96 is one of America’s heritage Rhythmic CHRs. During the 1990’s, it offered an approach custom-tailored to its unique market – a rarity in an increasingly homogenized and corporate-dominated radio environment. This montage of the station features both mixshow and regular programming.