This is a sample of Z90, serving America’s Finest City, recorded on Independence Day 1994. At this time, Z90 was seemingly one of the most unique-sounding Rhythmic CHRs around; I personally do not recall hearing most of the songs featured on this aircheck anywhere else.
WAQQ is among the more interesting radio stations to be featured on FMairchecks.com. The “Edge” name instantly brings to mind “Alternative”. But while the station certainly played a lot of Modern Rock selections, it was still very much a CHR that even played recurrents from the likes of C&C Music Factory and Marky Mark & The Funky Bunch. Also included is a rather amusing, lengthy sweeper (voiced by Mark Driscoll) listing many (if not all) areas in the market capable of receiving the station. This aircheck was recorded presumably at the beginning of the “Edge” area. According to Wikipedia, the call letters changed to WEDJ at some point — they were apparently still WAQQ at the time of this recording. Please be aware that while this montage is...
“Music of the World” – this is a sample of one of America’s longest running Rhythmic CHRs, recorded on the Sunday of Labor Day Weekend 1994.
In the late 80′s, and the very early 90′s, Phoenix was one of the best markets for fans of the CHR format. Nationwide Communications’ heritage KZZP found itself in a heated battle with Edens Broadcasting’s Y95 (KOY-FM) and The Broadcast Group’s Power 92 (KKFR). But with changes in management, personalities, and pop music tastes as a whole – the CHR scene was very different by the Fall of 1993. By that time, only KKFR and its hip-hop/R&B focused Rhythmic CHR format remained, without any direct competition. Despite its impressive ratings, the station elected to move towards a Modern Rock-based Mainstream CHR format by the end of that year. This is a sample of KKFR from the following summer, when it offered an “All Request 4th of July Weekend”. Featured is a cameo app...
Recorded most likely on New Year’s Eve 1994, this is a brief sample of the long-running syndicated Saturday night program “Open House Party” as heard on KKFR (Power 92) in Phoenix. Included is a sampling of the “Satellite Mega Mix” segment.
Recorded 22 years ago tomorrow, this is a brief montage of Tampa Bay’s legendary CHR (now known as “93-3 FLZ”) about 4 to 5 years after its debut. Visit this Facebook page for full details on the history of this station.
“Morning Breath Theater” morning show on Modern Rock 106.3 the Edge (KEDJ Phoenix) with Willobee and Jayn Sayd – recorded November 1, 1994 (21 years ago yesterday). The station was broadcasting on 106.3 and 96.3 at this time. Per info from Eric Stein: “96.3 was a translator atop South Mountain, call letters K242AG. KEDJ used this to improve East Valley coverage before the KHOT-FM simulcast began in August 1995. The translator later was used by another signal-troubled local station or maybe a religious group, and moved to 95.9 for a while as K240CV after KSWG moved to 96.3.”
At a time when many CHRs leaned towards R&B/Hip-Hop or Modern Rock, Boss 97 FM offered a Dance-oriented approach – making it seemingly one of the very few stations in the U.S. to do so (offhand, the only others I can think of were WBBM-FM/B96 Chicago and I assume KNHC/C89 Seattle – am I forgetting any?) This aircheck includes an amusing segment titled “Crow For Your Team”, focused on the NFL game taking place that weekend between two longtime rivals: The Philadelphia Eagles and Dallas Cowboys. Two listeners called in and had 15 seconds to explain why their team would emerge victorious. The Cowboys fan was acknowledged as dialing from a noisy “car phone”, and a “Judge Lance Ito” (from OJ Simpson trial fame) picked the winner. This was n...
During a significant portion of the 1990′s, B96 offered a dance music-heavy format focused on currents — making it one of the very few major market, full signal commercial stations in the U.S. to find success with that formula during that decade. This aircheck, recorded at the peak of that era, is a great example of why dance radio fanatics held the station in such high regard. This montage features a sample of a classic dance segment on the “Street Mix” along with regular programming, and it’s hosted by longtime station personality Frankie “Hollywood” Rodriguez.
During the early to mid 1990’s, a handful of radio stations in the United States – such as 101.5 Channel X – adopted an MTV-like approach. Specifically, they blended together modern rock and urban hits — and not just the most mainstream selection from each genre. To maintain some balance, Channel X also incorporated selections that are best described as “pure pop”. However, according to this message board posting, WHJX did not stick with this approach for very long; after about 4 months, it returned to an Urban format. This aircheck was recorded 19 years ago today.